Media, Sport Entertainment Online

Australia – Navigating social media advertising

Worldwide, there has been increased regulatory scrutiny of social media influencers, including the UK’s ASA guidance (see previous update by John Wilks and Claire Sng) and Competition and Markets Authority investigation, the European Commission’s ‘Behavioural Study on Advertising and Marketing Practices in Social Media’, and the recent crackdown by South Korea’s Fair Trade Commission.

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SCOTUS invites Solicitor General’s position on copyright registration pre-suit requirement

The Copyright Act (the “Act”) permits copyright holders to bring civil infringement actions in federal district courts to enforce the exclusive rights provided under the Act, namely, the rights to reproduce, distribute, display, publicly perform, and create derivatives of an original work of authorship.  However, an infringement action cannot be brought for a “United States work” until preregistration or registration of the copyright “has been made in accordance with [the Act].”  17 U.S.C. § 411. 

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Follow-us! Audiovisual Finance: the New Italian Cinema Law – DLA Piper Rome, Via dei Due Macelli 66 – 11:00 AM, 6 December 2017

Follow us (Rome, Via dei Due Macelli 66, 6 December 2017, 11:00 AM) for our roundtable on the Decrees implementing the Italian Law no. 220/2016 (“Cinema Law”) and the related investment opportunities concerning audiovisual works (including tax credit, automatic contribution, protection of minors and European works). We will also analyze the financing structures of audiovisual and theatrical works. Our panelists will include producers of audiovisual (Andrea Buonaguidi, Palomar) and theatrical (Federica Lucisano, Gruppo Lucisano) works, …

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UK Autumn Budget 2017

On Wednesday 22 November, the UK Chancellor of the Exchequer delivered his Autumn 2017 Budget. The most significant announcement (though absent from the Chancellor’s speech) was that, from April 2019, the UK will be imposing UK tax on gains made by non-residents disposing of UK commercial property whether directly or via property-rich companies or other entities.

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Cinema and audiovisual media services: A wider protection for EU works

On 2 October 2017, the Italian Council of Ministers approved a new Legislative Decree (“Decree“), aimed at ensuring a wider protection to EU (and Italian) works in the audiovisual media services (“AVMS“) sector. A brief outline of the new provisions is set out below. A. The Main Contents of the Decree The Decree amends Article 44 of the Italian AVMS Code (Legislative Decree no. 177/2005 and ff. amendments), setting forth the general framework for the …

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AVMSD reform: Focus on video-sharing platforms

As broadly known, the EU Commission on May 25, 2016 published its proposal for a reform of the audio-visual media services Directive no. 2010/13/EU (“Proposal“, available here).  The Proposal is currently under scrutiny: in particular, the European Parliament’s Committee on Culture and Education on April 25, 2017, voted to amend the Proposal.  The subject matter of this post is constituted by video-sharing platforms. 1. Video-Sharing Platforms: Current Regulatory Framework The Italian AVMS Code – in …

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If you can’t beat them, block them. Section 115A strikes against piracy websites, this time for the music industry

Last week in the Federal Court of Australia, over thirty internet service providers (ISPs) including TPG, Optus and Telstra were ordered to block access to the torrenting website KickassTorrents and related domain names. Universal Music is the third case to be decided under the recently added section 115A of the Copyright Act 1968 (Cth) after Roadshow Films Pty Ltd v Telstra Corporation Ltd (Roadshow Films) and Foxtel Management Pty Limited v TPG Internet Pty Ltd[1], and represents a win for music labels such as Universal Music, APRA, AMCOS and Warner Music.

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