How to deal with the protection of minors in eSports

by Cristina Criscuoli, Elisa Rosati, Micaela Jerusalmi

How shall the eSports market deal with the protection of minors? What measures shall be adopted to protect investments and avoid risks?

The eSports market is rapidly growing and is quickly seducing an increasing number of fans. The growth of interest towards this charming world is also witnessed by the fact that the International Olympic Committee has recently considered to include eSports at the Olympic Games of 2024.

A great number of eSports fans – both among players and audience – is made up of minors. Just think about Dominique “SonicFox” McLean, only 16 years old, who won his first prize becoming champion of “Injustice: Gods Among Us” at the Evolution Championship Series (EVO), one of the most renowned competition in eSports.

The involvement of such a vast number of minors in eSports clearly raises some legal issues due to the need of ensuring a strong protection for them.

Below is an outline from the Italian law perspective of the situation concerning the protection of minors in eSports. In particular, we believe that two aspects should mainly be considered: contractual relationships involving young players and data protection issues. Read the rest of this entry »

Video: Blockchain legal predictions for 2019

In this video Elisa Rosati and Tommaso Ricci analyze the Blockchain legal and business challenges for 2019. This year will be crucial for the blockchain since the Distributed Ledger Technology (DLT) is ready to overcome the risks linked to the fluctuation of the cryptocurrencies and to prove its compatibility with the new standards of  Data Protection introduced by GDPR finding the right balance between scalability and security.

For a more in-depth analysis please read our post Top 3 Blockchain predictions for 2019

 

The concept of eDoping in eSports – cyber security as a safety measure, enforcement and sanctions in case of non-compliance

by Giulia Zappaterra, Ludovica Mosci & Deborah Paracchini 

How to limit the risk of eDoping and avoid potential sanctions and enforcements in eSports? What solutions shall be adopted in terms of cybersecurity?

The eSports market has grown at a tremendous pace over the past few years becoming a half billion dollar industry. Competition between players is at the highest levels and marginal gains can make the difference between winning and losing. Cheating is therefore a high temptation for many players.

Some of such players are going for “eDoping”. This is not the classic doping to strengthen physical and concentrations potential, but it refers to the fixing of the machines used for the tournaments.

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Innovation meet-up – Blockchain e smart-contract oltre gli slogan: una success story nel trade finance

I recenti sviluppi normativi sulla blockchain creano opportunità che discuteremo nell’ambito dell’Innovation meet-up organizzato da DLA Piper con AlixPartners e we.trade il 12 aprile 2019. Read the rest of this entry »

Blockchain: the real fuel for eSports

By Alessandro Ferrari and Tommaso Ricci

The eSports industry has undergone a massive growth in the recent years hitting a record market revenue of almost $1 billion. Blockchain technology could foster even more the huge market growth building trust, adding transparency and introducing new business models. Here is a brief overview of its applications and legal challenges. Read the rest of this entry »

eSports and Copyright between choreographies and UGC

by Roberto Valenti and Tommaso Fia

There are a number of copyright issues related to the choreography of an eSports game. In these days the first (and most important) regards the protection of choreographic elements (i.e. a dance) which could appear in videogames. In Europe and in the USA, a choreographic work is protected by copyright. This is why an extended series of dances moves that is original to its creator can be protected by copyright. The above explains the law suits recently filed in the USA at the end of 2018 by several individuals in connection with famous Fortnite videogame.

If you are not familiar with Fortnite, players can buy (or earn) emotes, short avatar animations who can replicate generic acrobatic moves and dances. The Fortnite Loser Dance (so called L Dance) become famous thanks to the French soccer player Griezmann, who used this theme after scoring in the last World Cup 2018 final against Croatia.

Now, as mentioned there are several individuals in the USA who claim they have invented dances moves (including the L dance), and therefore sued for copyright infringement.

Under copyright law, there are at least two relevant issues with regard to the protection of choreographic elements.

The first is originality, i.e. that work shall be the expression of the personality of the author and shall not be copied from other works. In this regard, the dance moves shall be complicated enough, and differentiated enough from social dance steps and simple routines to get copyright protection.

The second is the fixation requirement, i.e. a dance is not protected until it is recorded in a tangible form.

Copyright issues in videogames, in particular online multi-user ones, are not limited to dance moves.

On a different matter, many people talk about “User Generated Content” (“UGC“), but they usually do not know exactly what it means. Indeed, it refers to a broad range of applications, such as social media, news, videogames, TV programs, and its meaning may change depending on the effective field involved. The common link in these applications is that UGC encompasses any content, such as pictures, videos, text, and audio, that have been created and proactively posted by users.

In some videogames, unlike other types of creative works, users are nudged to express their own creativity. For instance, some developers design interfaces that allow players to elaborate a set of “in-game works”: e.g., avatars, narratives, in-game objects, new environments, and animation sequences.

The more players are given the opportunity to create and interact, the more the UGC will likely to be considered a creative work protectable under copyright law, probably being encompassed amongst the so-called derivative works. Nonetheless, license agreements of videogames, by regulating the contractual relation between the players-UGC authors, and the right-holders of the videogames, always allocate all (or most of) the intellectual property rights over the videogames to the publishers and the developers. This also because a fragmentation of the rights of all players would entail problems when their creations are exploited centrally.

These problems certainly make the existing legal framework rather obsolete, since the existing copyright provisions hardly suit to these new contexts. For this reason, regulators should take into account this matter and seriously consider the creation of a sui generis right for players intending to publish and exploit their UGC.

Loot boxes and its regulatory implications

Loot box regulation is a hot topic in a variety of regions. The attention over loot boxes began when a number of video games started to incorporate gaming micro-transactions for chance-based items within the game.

Previously, video games were sold as a stand-alone product and the interaction between players and the developers of the game existed only and to the extent players would have bought a sequel or an expansion pack of the video game.

But, with the rise of online gaming, players are no more interested in time-consuming games that contain just one milestone, mission or storyline. As a result, developers:

  • create formats of video games where players are constantly engaged also through a real-time competition between players; and
  • enable players to purchase randomly assigned items (the so called “loot boxes“) in video games through in-game currency that can often be either purchased with real money or earned through game-play.

Read the rest of this entry »

Top 5 takeaways from DLA Piper event on Italian privacy dawn raids

Italian privacy dawn raids are a hot topic and being prepared to them is crucial, especially given the potential fines provided by the GDPR. Here are the main takeaways from our event on the matter. Read the rest of this entry »

How do you spell e-Stadium?

by Gualtiero Dragotti

The majority of legal analysis concerning the raise of e-Sports tends to coagulate around the main stakeholders, i.e. the IP owners, the broadcasters, the sponsors and the e-athletes and teams, focusing on the appropriate way to discipline their relationships, possibly against a regulated background capable of dealing with gambling, e-doping and, more generally, with the requirements and rules set by laws, sport authorities and similar bodies.

There is however a missing piece in this picture: the audience, i.e. the increasing crowd interested to see the e-games, possibly attending live events, with the opportunity to meet their idols and see them play live.

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eSports between Italian prize promotion and gambling rules

eSports tournaments can be subject to stringent restrictions under Italian prize promotion and gambling rules if adequate solutions are not adopted.  Read the rest of this entry »

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